#  Class of 2021 

 



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**Andrew Aoyama**, “Family Matters: Spinning the Story of Tunisia’s Transnational Jihadists”

**Che Applewhaite**, “A New England Document: Proto-Cinematic Practice against Genocidal Acceptability”

**Esteban Arellano**, “Dancing in the Dark: The Burden of Liveness at G.G.’s Barnum Room”

**Elijah Berlin**, “‘A Symbol of Inexhaustible Potency’: A Cultural History of the American Credit Card, 1958-1974”

**Martin Bernstein**, “French Theory and American Liberalism”

**Maggie Berry**, “Starving for Approval: The Evolution of Disordered Eating Practices in Victorian England”

**Anna Kate Cannon**, “Toward Futures Free from Violence: Responses to Violence Against Indigenous Women and LGBTQ2S People in the United States”

**Alexandra Chaidez**, “Without Fear or Favor: The Evolution of American Journalism During World War I”

**Ruva Chigwedere**, "For Daughters of Ezili: A Meditation on Black Women, Subjectivity, and Romantic Love"

**Yena Cho**, “From GI Chocolate Bars To $13,000 a Week: The Spectacular Performances of the Kim Sisters on a Transnational Stage, 1954-1967”

**Hannah Craig**, “The Peace Wall Paradox: Trauma, Memory, and Social Healing in Belfast”

**Jilly Cronin**, “The Chicago Motive of the Magazine: Harriet Monroe, Carl Sandburg, and Ezra Pound in Poetry Magazine and in Chicago”

**Mariana De Leon Dominguez**, “Women and Children First – La Virgen de Guadalupe’s Role in Creating a Life-Affirming Mexican-Catholic Culture”

**Ejayy De Vaughn**, “Tactician, Theorist, and Trailblazer: Shirley Chisholm’s Black Power in Practice”

**Hannah Drew**, “Consuming Communism: Competing Visions for Post-Socialist Berlin, 1990-2010”

**Hannah Fontaine**, “Let Down by Legislation: Women’s Advocacy as a Response to State-Sponsored Violence in Guatemala”

**Owen Foulkes**, “‘Out of the Dust and Mire’: Settler Colonialism and City Planning in 1920s Tulsa”

**Natalie Gale**, “The Temporal Lens: Photographs and Settler Colonialism in Western Oregon Self-Determination Movements, 1972-1982”

**Ava Hampton**, “‘The Rich and Rare from Every Clime and Land’: Collecting and Display at the Peabody Academy of Science, 1868-1880”

**Ciara Hervas**, “Seeing Beyond the Binary: The Photographic Construction of Queer Identity in Interwar Paris and Berlin”

**Alejandra Iglesias**, “The Exotic Latina and the Good Neighbor: A Comparative Analysis of Media Representations of Latina Women and U.S.-Latin American Relations

**Caitlin Jones,** "Mediating a Feminist Stance in Pornography: Gloria Leonard at *High Society*"

**Katherine Lempres**, “Gendering *La Resistenza*: Representations of Female Resistance in Italian Cultural Memory, 1945-1997”

**Ellie Loigman**, “‘I Enjoy Being a Girl’: Phyllis Schlafly’s ‘Positive Woman’ and Anti-Feminist Influence”

**Francesca Malatesta**, “Birthed in the Culture of Slavery: Exploitation and Empowerment in Black Women’s Reproductive Health in Rural Alabama, 1808-1976”

**Brian Mott**, “All Roads Lead to České Budějovice”

**Diana Myers**, “Mater Matris Domini: Holy Motherhood and the Early Cult of St. Anne”

**Katie Okumu**, “Vast and Lonesome: Agrarian Activists and Reformers in the Twentieth Century United States”

**Derek Onserio**, “Comedy, Commentary, and Community: Exploring the Portrayal of Black Families in UPN’s *Everybody Hates Chris*”

**Emily Orr**, “Marriage, Money, and the Specter of Miscegenation: Whiteness as Inheritance in 1930s American Fiction”

**Larisa Owusu**, “Iconic Market Women: The Unsung Heroines of Post-Colonial Ghana (1960s-1990s)”

**Nina Pasquini**, “‘Why Return?’: Fragmentation, Repetition, and Memory in the Works of Marguerite Duras and Assia Djebar”

**Jamie Paterno Ostmann**, “Scenes of Smoke and Scarlet: Cochineal and Tobacco in the Early Modern English Theater”

**Dani Perez**, “(In)Comunicadxs: Online Community Amid Barriers to Communication in the Venezuelan Diaspora”

**Devonne Pitts**, "Playwriting Is Not a Luxury: The Black Feminist Tradition of Dealing with Death on the American Stage"

**Emily Romero Gonzalez**, “‘Felons, Not Families’: The Construction of Immigrant Criminality in Obama-Era Policies and Discourses, 2011-2016”

**Reade Rossman**, “They Say Dominicans Can Do the Best Hair: Towards an Afro-Dominican History of the Beauty Salon”

**Rachel Sadoff**, “Terror, Trust, and T-2: How Science, Human Rights, and Chemical Weaponry Shaped U.S. Perceptions of the ‘Yellow Rain’ Controversy, 1975 – 1985”

**Abigail Sage**, “Lions, Tigers, and Bears: Masculinity, Queerness, and the Movement for Home Rule in British India, 1920-1940”

**Melisa Santizo**, “Marian Icons, Myths, and Memory: Virgen de Guadalupe Murals and Their Role in Identity Formation in Los Angeles”

**Emily Shen**, “A Dream Before the Dawn of the Digital Age? *Finnegans Wake*, Media, and Communications”

**Marshall Sloane**, “Between Techno-Tyranny and Techno-Utopia: Individualism and Information Amidst the Rise of Computer Culture”

**Yasenimary Velazquez Carrasquillo**, “A Son de Plena y Poesía: How Boricua Artists Expose and Resist Catastrophic Coloniality Through Music and Poetry”

**Gabriel Wadford**, “McLeod Plantation: An Examination of Space and Meaning”

**Sarah Wexner**, “Tillie Olsen and the Construction of a Proletarian Feminist Counter-Canon, 1970-1989”

**Ming Li Wu**, “Death, Dislocation, Dance: Theorizing Queer Floatiness Through Queer Latino Urbano Music Videos”



 

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###    Senior Prizes 2021  expand\_more  

 

 Edward Chandler Cumming Prize

- Andrew Aoyama, “Family Matters: Spinning the Story of Tunisia’s Transnational Jihadists”

 Oliver-Dabney Senior Prize

- Diana Myers, “Mater Matris Domini: Holy Motherhood and the Early Cult of St. Anne”

 Barbara Miller Solomon Prize

- Ciara Hervás, “Seeing Beyond the Binary: The Photographic Construction of Queer Identity in Interwar Paris and Berlin”
- Katie Okumu, “Vast and Lonesome: Agrarian Activists and Reformers in the Twentieth Century United States”

 Perry Miller Prize

- Owen Foulkes, “‘Out of the Dust and Mire’: Settler Colonialism and City Planning in 1920s Tulsa”

 David Rockefeller Center Prize

- Mariana De Leon Dominguez, “Women and Children First – La Virgen de Guadalupe’s Role in Creating a Life-Affirming Mexican-Catholic Culture”

 John Clive Prize

- Jamie Paterno Ostmann, “Scenes of Smoke and Scarlet: Cochineal and Tobacco in the Early Modern English Theater”

 Capstone Award for the best senior oral exam materials

- Esteban Arellano

 Thomas T. Hoopes Prize

- Che Applewhaite, “A New England Document: Proto-Cinematic Practice against Genocidal Acceptability”
- Elijah DeVaughn, “Tactician, Theorist, and Trailblazer: Shirley Chisholm’s Black Power in Practice”
- Owen Foulkes, “‘Out of the Dust and Mire’: Settler Colonialism and City Planning in 1920s Tulsa”
- Ciara Hervás, “Seeing Beyond the Binary: The Photographic Construction of Queer Identity in Interwar Paris and Berlin”
- Larisa Owusu, “Iconic Market Women: The Unsung Heroines of Post-Colonial Ghana (1960s-1990s)”
- Jamie Paterno Ostmann, “Scenes of Smoke and Scarlet: Cochineal and Tobacco in the Early Modern English Theater”

 Bernhard Blume Prize

- Ciara Hervás, “Seeing Beyond the Binary: The Photographic Construction of Queer Identity in Interwar Paris and Berlin”

 Robert T. Coolidge Thesis Prize in Medieval Studies

- Diana Myers, “Mater Matris Domini: Holy Motherhood and the Early Cult of St. Anne”

 Susan Anthony Potter Prize

- Jamie Paterno Ostmann, “Scenes of Smoke and Scarlet: Cochineal and Tobacco in the Early Modern English Theater”

 Honorable Mention for the Eugene R. Cummings Senior Thesis Prize in LGBT Studies

- Natalie Gale, “The Temporal Lens: Photographs and Settler Colonialism in Western Oregon Self-Determination Movements, 1972-1982”

 Honorable Mention for the Senior Thesis Prize in Ethnicity, Migration, Rights

- Anna Kate Cannon, "Toward Futures Free from Violence: Responses to Violence Against Indigenous Women and LGBTQ2S People in the United States"

 Edward Eager Memorial Fund Prize for Poetry

- Devonne Pitts

 Cyrilly Abels Short Story Prize

- Nina Pasquini, “Henry and Lydia”

 Le Baron Russell Briggs Fiction Award

- Nina Pasquini, "Coda"

 Council Prize in Visual Arts

- Dani Pérez

 Robert Levin Prize in Musical Performance

- Martin Bernstein

 Jonathan Levy Award

- Ruva Chigwedere

 Robert E. Levi Prize

- Abigail Sage

 Visiting Committee Prize for Undergraduate Book Collecting

- Devonne Pitts, “Reading Plays to Write Plays: A Collection of Black Dramatic Writing”
- Ruva Chigwedere, “Ubuntu: A Look at the Women Who Raised Me”

 Phi Beta Kappa

- Andrew Aoyama
- Ava Hampton
- Ciara Hervás
- Diana Myers