Mollie Ames, “‘Les Militants Ne Sont Pas de Machines’: Didar Fawzy-Rossano’s Relations of Revolution”
Dara Badon, “Imagining a Tomorrow While Looking to Yesterday: Afrofuturism, Education, and the Organization of Black American Culture”
Michael Baick, “Re-Weaving Longmeadow: Black and Indigenous History and Memory in Rural New England”
Davis Bailey, “The Religion and Politics of ‘Greeneland’: A Bridge Between Graham Greene’s Catholic Novels and Entertainments”
Jenna Bao, “News from ‘The Jungle’: The Impacts, Limitations, and Advocacy Potential of 1970s Prison Journalism in the Angolite”
Sophie Bauder, “‘Down the Pits Seventy-Two Fathoms Deep’: Mining and Colonial Legacy in Three Novels by Michael Ondaatje”
Shoshanna Boardman, “Babylonian Incantation Bowl Onomastics”
Camille Caldera, “‘It Has Always Been This Way’: Change and Continuity in Birth Practices Among the Diné in the Twentieth Century”
Alice Chang, “The Illusion of Belonging: Media and Legal Representations of Korean Orphans from Refugee to Immigrant, 1952-1961”
Liana Chow, “Postmemory Plays and Refugee Representations in Vietgone, Cambodian Rock Band, and 140 LBS”
Rocket Claman, “‘I’m Chile-Domini-Curican, But I Always Say I’m From Queens!’: In the Heights Offers Broadway a New American Dream”
Sydnie Cobb, “On the Frontlines and at the Margins: The Role of Mothers and the ‘New Right’ in the Boston Anti-Busing Movement”
Allegra Colman, “‘A Repudiation of Everything America Is’: Opium and America’s War in Afghanistan, 1979-1989”
Brian Conwell, “Remembering Attu: Imperialism and the Contested Memory of the ‘Forgotten War’”
Char Deslandes, “The Meaning of the Mandem: Multicultural London English and Black British Community in Film and Television Since 2011”
Isabella Di Pietro, “‘Our Entire Future Was at Stake’: From Neo-Malthusian Environmentalism to Anti-Immigration Activism in the Cold War United States”
Sonia Epstein, “‘To Build and To Be Built’: Tuberculosis Control and the Zionist Movement, 1922-1957”
Jesus Estrada-Martinez, “Persecution and Transendence in U.S. K-12 Schools: Illegality/Fugitivity as a (De)Colonial Wound”
Samantha Frenkel-Popell, “The ‘Successors and Inheritors’ of George Washington and James Madison: American Inaugural Addresses During Wartime, 1812-1985”
Paul Georgoulis, “From Sea to Shining High C: Opera in the American West Through the Lens of The Song of the Lark and The Ballad of Baby Doe”
Pablo Gomez Garcia, “The ‘Moor’ in the Civil War: Left-Wing Depictions of Moroccans and the Creation of Wartime Spanish Republican Identity”
Annie Harrigan, “Mother Monster and Queen Bey: Racialized Gender Performance in the 2010s Careers of Lady Gaga and Beyoncé”
Timothy Im, “Monsters and Modernity in Edo and Meiji Japan”
Howard Johnson, “Quarterbacking Inequality: The Evolving Terms of Blackness in the NFL”
Myint Kyi, “‘They Were Expendable Too’: The Fetish of Personhood in Alien, Aliens, Alien3, and Abortion Discourse, 1973-1992”
Iris Lewis, “‘Intelligence Sharpened by Love’: Dorothy Canfield Fisher’s Pedagogy of the American Middlebrow”
Isabelle Liao, “‘Asian American Pioneer,’ ‘Oriental Cinderella,’ ‘Hollywood Legend’: Reframing Stories of Anna May Wong (1905-1961)”
Sarah Lightbody, “Shop Union: 1960s ILGWU Labor Films”
Fariba Mahmud, “Selim the ‘Algerine’: Exploring an Odyssey in Early Colonial America”
Molly Martinez, “Our Stories, Our Power: Agency Despite Imprisonment in the Autobiographies of James Carr and Susan Burton”
Xochitl Morales, “Living and Learning Through a Peculiar Poetics of Cumbia: A Contemplation of Individual / Collective Agency, Makeshift Ceremony, and Communion”
Charlie Olmert, “The Origin of Independent Central Banking: Marriner Eccles and the Evolution of the Modern Federal Reserve, 1932-1951”
Babi Oloko, “Divine Reclamation: Black Female Subjectivity in the Work of Renee Cox”
Sarai Perez Camacho, “‘¡Ni Una Más!’: Exploring the Intersections of Womanhood, Identity, and Violence in Mexico/U.S., 2007-2021”
Jaileen Pierre-Louis, “To Be Safe in One’s Body: Tracing Abolitionist Desires in Black Feminist Contemporary Film”
Noah Redlich, “A NAFTA Consensus: How Our Culture, Media, and Political Leaders Came Together to Decimate the Working Class”
Andrew Sacks, “‘The Frauds and Tricks of the Quacks and Fakers in the Medical Profession:’ American Anti-Vaccinationism in the Progressive Era”
Freddie Shanel, “Red Westerns: Socialist Values, Native American Imagery, and Holocaust Memory in East German Indianerfilme”
Casey Soto, “Angela Davis 1970-1973: A Beacon of Hope in the Fight for Justice and the Aftermath of Her Trial”
Aurora Straus, “Swing Low, Sweet Cadillac: The Cultural History of Cadillac’s Consumers of Color”
Amanda Su, “Real Lives, Reel Narratives: The Articulation of Ambivalent Identities in Asian American Home Movies”
Fatima Taj, “‘Graveyard of Empires’ or Lush Landscape? Afghanistan’s Environment in Cultural Productions, 1971-2021”
Owen Torrey, “‘Breaking the Barrier of Flowers’: The Nature of Punishment at the Mettray Penal Colony”
Andie Turner, “Homes, Homos on the Range: Suburban Development and the Gay Rodeo, 1976-2021”
Matteo Wong, “Up the Stairs to the Basement Workshop: Sustaining Art, Activism, and an Asian American Community in New York City, 1970–86”
Selina Xu, “Sinofuturism: Dreams and Nightmares in Postsocialist China”